Augean stables waiting for the cleaner (
H. Schneider)
Before politicians are admitted to new offices, few of them would not announce that they want to clean the stables. In practice, things go differently. We see this all the time.
Why do I read Trollope? Simply because he is there; or rather, more specifically, I found the Penguin edition of the `Prime Minister' in the `still to be read' section of my shelf. I took it on a trip. It is an amusing way to spend time. Who reads Trollope? People with lots of time, I would guess. People who are not in a rush, who enjoy the chuckle and the insight, and who find the mysteries of the English caste system and legal structure worth a few or more hours. And those who think that British politics are hilarious.
`It is easy for most of us to stay away from stealing and picking, as long as the clear consequence is prison diet and garments. But when silks and satins come of it, the net result of honesty does not seem so secure.' Right, isn't it?
Of course, this book is not about Gordon Brown; it is about Plantagenet Palliser of the Palliser clan, aka the Duke of Omnium, and of the novel series about the Pallisers. The Duke has made it to the position of prime minister, but not all aristocrats look at this achievement with much respect. It is more like a disturbance in a life. This is the 5th of 6 volumes, and I have no idea why I bought it, back in the 90s. Shouldn't I have started with number 1 of the series? It seems that is not strictly necessary for enjoyment. (The product page here says that this is the best of the six.)
Trollope was a masterful observer of people from certain social strata. His knowledge did not, it seems, encompass the whole width of society, but stayed with `society'. That doesn't make him a snob; it just makes him honestly incomplete. Who can claim to be otherwise, honestly?
`When one man is a peer and another a ploughman, one doesn't find fault with the ploughman, but one also doesn't invite him to dinner.'
If I have to find a fault with Trollope, it is his explicitness. He explains everything to us. That makes things easier, but also takes away the freedom of interpretation. It makes the book comfortable but one-dimensional. No space for post-modernist disagreements.
On the positive side: he uses no coincidences, whether tragic or lucky. His plot relies on psychology and life experience. Trollope is possibly the least romantic of all Victorians. (Admittedly my basis for generalization is not broad.)
The plot has a love story and a political story, interwoven: we start with a young would-be parvenu of questionable ancestry who tries to marry the daughter of a proper gentleman. Since the young man's father was Portuguese instead of English, and since the young man works for a living (in the City, how unrespectable!), he is easily dismissible (isn't it likely that he is Jewish on top of it?). This father wants to see his daughter married into a proper family.
Trollope takes care to make us agree. The young man is not to be trusted. Luckily the daughter is a proper Victorian lady without vulgar notions. She will obey, but then again, she is actually positively inclined...
Clearly, the first reactions are just the initial salvos in a protracted battle.
The political side of the plot focuses on the Duke and his wife, a latter day Lady Macbeth, the schemer with grand ambitions. He is a man of principles and patriotism. He is up against the corroding influences of professional politics. He doesn't feel adequate for the PM job. We follow him through his small political wars and somehow I started remembering that contemporary events are not all that different...
It is amazing how little about actual political issues is needed to tell a good story about political mechanisms. Sure, parties are named, but what are they arguing about? Irrelevant, it seems.
The only subject that seems to play a major part is that of home rule for Ireland, but also not in the sense of analyzing the problems, rather to parade the various commonplaces of the time in front of us.
I have not regretted picking this big thing (700 pages!) from my shelf. I think I will go for more of the series, they are good for travel luggage, as they are compact and one can spend some time with them, ie no need to pack half a library.
The Prime Minister (Penguin Classics). By Anthony Trollope
The Pallisers: Front & Center (
David Cady)
In this, the fifth of his Palliser Chronicles, Anthony Trollope moves Plantagenet Palliser and his vivacious wife, Glencora, squarely to the forefront. Oddly, for me, this leads to one of his weakest efforts. Of course, second-rate Trollope is better than most other writer's best efforts, so it's somewhat churlish to complain. But I wish I believed a little more in the plotting here. Palliser's ascendency to the Prime Ministership seems a stretch, and the accompanying storyline about the vile Ferdinand Lopez and his marital difficulties are not particularly involving. True, when the two threads combine, it produces some interesting dilemmas for all concerned (culminating in a dramatic and evocative death), but not enough to engage me as fully as I would have hoped. To be honest, I had a hard time getting through "The Prime Minister," which has never happened before when I've read this author. As a piece of the Palliser puzzle, this is a vital entry in the canon...just not its best.
The Prime Minister (Penguin Classics). By Anthony Trollope
The Prime Minister: The fifth and penultimate Palliser novel by Trollope is a foray into high level British politics and love (
C. M Mills)
Anthony Trollope's Palliser series about politicians is second only in popularity to his earlier Barsetshire novels dealing with the clergy. "The Prime Minister" is a long but engaging novel written in 1874. The book holds up well over time and is worthy of rereading.
The major players on the stage of this 700 page three decker are:
a. Plantagent Palliser the sober, stolid and dull man of honor is elected Prime Minister of Great Britain in a coalition government. This government holds office for three years. Palliser does a good but unspectacular job. He is a taciturn, withdrawn man leading one to wonder why he ever entered the hurly-burly mudslinging of politics. His premiership is shaken by the allegation from the crude news maven the reprehensible Mr. Slide that Palliser paid the election fees of Ferdinand Lopez in the Silverbridge election. It is discovered that the evil Lopez was a favorite of Lady Glencora the Duke's impetuous wife.
b. Glencora Palliser: Glencora believes the key to a good premiership for her husband is to wine and dine parliamentarians. She spends a fortune doing this putting up with such dreadfuls as Sir Timothy Beeswax. She is comforted by her good friend Mrs. Marie Finn who is married to Phineas Finn a member of Parliament from Ireland. Despite all of her faults we come to love Lady Glencora for her exuberance and liveliness in a novel which could all to quickly turn to dull staidness.
In addition to the political plot which some American readers may find a bore there is a juicy and tragic love story featuring:
a. Emily Wharton. She rejects her longtime lover Arthur Fletcher who comes from an old Hertfordshire family she has known since her youth. She is sheltered by her John Bull/Archie Bunker father old barrister Mr. Abel Wharton. Emily gives up a good life to become the wife of the bounder Mr. Ferdinand Lopez.
b. Ferdinand Lopez is the father of a Portuguese father and a British mother. He is handsome; well educated and speaks several languages. He is also one of the most odious of all of Trollope's villians!!!! Lopez weds Emily believing she will inherit a large fortune; he lives at her father's home; he borrows large sums of money from the Wharton father and Lady Glencora Palliser. He is defeated in his campaign for the Silverbridge seat in Parliament by Emily's former flame the honorable Arthur Fletcher! Lopez rudely talks to his wife Emily, uses her to wheedle money out of her father and even seeks an affair with the notorious Lady Eustace! His wild dream of running a mine in Guatemala comes a cropper; he commits suicide by falling in front of a train! This is a plot device allowing Emily to be free for the arms of her true lover Arthur Fletcher. The novel ends with Arthur and Emily pledged to one another to become a wedded couple in a year's time.
"The Prime Minister" is one of the finest political novels in the English language. The love story of Emily and Arthur is touching. We cry and laugh and think. This is another glittering jewel in the crown of fiction worn by a master of the art. Enjoy this Trollope novel and enjoy a world long ago and far away that still has something to say about the human heart and head. Excellent!
The Prime Minister (Penguin Classics). By Anthony Trollope
Morality (
Hugh S. Chandler)
I have little to add to what others have already said about The Prime Minister. Ferdinand Lopez is a vile man. He seems to have no sense at all of moral right and wrong - totally oblivious to it. Palliser (the Prime Minister) on the other hand, is invariably fair, considerate, just, and so on. His defects are not moral. He is overly sensitive to criticism: `Thin skinned' as we are told over and over again. He tends to hide his feelings, and withdraw into himself - things like that. Trollope's depiction of the relationship between Palliser and his wife is wonderful, very perceptive.
Trollope was, I think, a racist. In addition, he looks down on Jews in general, not just Lopez. Furthermore he holds that women should, if possible, worship their husbands as `gods.' (So far as I know, he nowhere says that husbands should worship their wives as goddesses.) The racism is explicit in his account of his travels in the Caribbean. Of course in this regard he was only endorsing the attitudes of his time and class in England.
I would rank The Prime Minister among the top three of the 15 or so Trollop novels I've read.
The Prime Minister (Penguin Classics). By Anthony Trollope
Outsiders and Insiders (
Mark Silcox)
This book seemed to me to represent a return to form after the previous two rather plodding entries in the Palliser Saga. Trollope's depiction of relations between the intensely private Plantagenet and the injudiciously extrovert Glencora is a dead-on accurate portrait of middle-class marriage, and the fact that P. is made prime minister gives Trollope the chance to show interaction between the personal and political spheres in a way that I found absolutely fascinating.
The most intriguing part of the book, though, are the sections that deal with Ferdinand Lopez, a Jewish "outsider" to upper class London society, toward whom Trollope seems to have had a fascinatingly unsettled and ambivalent attitude. Is he a tragic figure whose relatively small-scale vices only bring about his downfall because he is trying to gain entry into a self-enclosed world of unearned privilege, or is he really the unscrupulous "adventurer" that the other characters all regard him as being? The fact that the author himself never really seems to have made up his own mind on this topic is perhaps a weakness in some sense, but it shows that Trollope was able to retain at least some of his intellectual honesty as the curious, inquisitive liberalism of his youth began to give way to the slightly paranoid toryism of his old age.
The Prime Minister (Penguin Classics). By Anthony Trollope
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