Zarqali, Abu Ishaq Ibrahim al- / Bianchini, Giovanni (ed.). Tabulae de motibus planetarum.Ferrara, ca. 1475.

The so-called "Toledan Tables" are astronomical tables used to predict the movements of the Sun, Moon and planets relative to the fixed stars. They were completed around the year 1080 at Toledo by a group of Arab astronomers, led by the mathematician and astronomer Al-Zarqali (known to the Western World as Arzachel), and were first updated in the 1270s, afterwards to be referred to as the "Alfonsine Tables of Toledo". Named after their sponsor King Alfonso X, it "is not surprising that" these tables "originated in Castile because Christians in the 13th century had easiest access there to the Arabic scientific material that had reached its highest scientific level in Muslim Spain or al-Andalus in the 11th century" (Goldstein 2003, 1). The Toledan Tables were undoubtedly the most widely used astronomical tables in medieval Latin astronomy, but it was Giovanni Bianchini whose rigorous mathematical approach made them available in a form that could finally be used by early modern astronomy.

Bianchini was in fact "the first mathematician in the West to use purely decimal tables" and decimal fractions (Feingold, 20) by applying with precision the tenth-century discoveries of the Arab mathematician Abu'l-Hasan al-Uqilidisi, which had been further developed in the Islamic world through the writings of Al-Kashi and others (cf. Rashed, 88 and 128ff.). Despite the fact that they had been widely discussed and applied in the Arab world throughout a period of five centuries, decimal fractions had never been used in the West until Bianchini availed himself of them for his trigonometric tables in the "Tabulae de motis planetarum". It is this very work in which he set out to achieve a correction of the Alfonsine Tables by those of Ptolemy. "Thorndike observes that historically, many have erred by neglecting, because of their difficulty, the Alfonsine Tables for longitude and the Ptolemaic for finding the latitude of the planets. Accordingly, in his Tables Bianchini has combined the conclusions, roots and movements of the planets by longitude of the Alfonsine Tables with the Ptolemaic for latitude" (Tomash, 141).

The importance of the present work, today regarded as representative of the scientific revolutions in practical mathematics and astronomy on the eve of the Age of Discovery, is underlined by the fact that it was not merely dedicated but also physically presented by the author to the Holy Roman Emperor Frederick II in person on the occasion of Frederick's visit to Ferrara. In return for his "Tabulae", a "book of practical astronomy, containing numbers representing predicted times and positions to be used by the emperor's […] astrologers in managing the future" (Westman, 10ff.), Bianchini was granted a title of nobility by the sovereign.

For Regiomontanus, who studied under Bianchini together with Peurbach, the author of the "Tabulae" counted as the greatest astronomer of all time, and to this day Bianchini's work is considered "the largest set of astronomical tables produced in the West before modern times" (Chabbas 2009, VIII). Even Copernicus, a century later, still depended on the "Tabulae" for planetary latitude (cf. Goldstein 2003, 573), which led to Al-Zarquali's Tables - transmitted in Bianchini's adaption - ultimately playing a part in one of the greatest revolutions in the history of science: the 16th century shift from geocentrism to the heliocentric model.

In the year 1495, some 20 years after our manuscript was written, Bianchini's Tables were printed for the first time, followed by editions in 1526 and 1563. Apart from these printed versions, quite a few manuscript copies of his work are known in western libraries - often comprising only the 231 full-page Tables but omitting the 68-page introductory matter explaining how they were calculated and meant to be used, which is present in our manuscript. Among the known manuscripts in public collections is one copied by Regiomontanus, and another written entirely in Copernicus's hand (underlining the significance of the Tables for the scientific revolution indicated above), but surprisingly not one has survived outside Europe. Indeed, the only U.S. copy recorded by Faye (cf. below) was the present manuscript, then in the collection of Robert Honeyman. There was not then, nor is there now, any copy of this manuscript in an American institution. Together with one other specimen in the Erwin Tomash Library, our manuscript is the only preserved manuscript witness for this "crucial text in the history of science" (Goldstein 2003, publisher's blurb) in private hands. Apart from these two examples, no manuscript version of Bianchini's "Tabulae" has ever shown up in the trade or at auctions (according to a census based on all accessible sources).

Condition: watermarks identifiable as Briquet 3387 (ecclesiastical hat, attested in Florence 1465) and 2667 (Basilisk, attested to Ferrara and Mantua 1447/1450). Early manuscript astronomical table for the year 1490 mounted onto lower pastedown. Minor waterstaining in initial leaves and a little worming at back, but generally clean and in a fine state of preservation. Italian binding sympathetically rebacked, edges of covers worn to wooden boards. A precious manuscript, complete and well preserved in its original, first binding.

Provenance: 1) Written ca 1475 by Francesco da Quattro Castella (his entry on fol. 150v) for 2) Marco Antonio Scalamonte from the patrician family of Ancona, who became a senator in Rome in 1502 (his illuminated coat of arms on fol. 1r). 3) Later in an as yet unidentified 19th century collection of apparently considerable size (circular paper label on spine "S. III. NN. Blanchinus. MS.XV. fol. 43150"). 4) Robert Honeyman, Jr. (1928-1987), probably the most prominent U.S. collector of scientific books and manuscripts in the 20th century, who "had a particular interest in astronomy" (S. Horobin, 238), his shelf mark "Astronomy MS 1" on front pastedown. 5) Honeyman Collection of Scientific Books and Manuscripts, Part III, Sotheby's, London, Wed May 2, 1979, lot 1110, sold to 6) Alan Thomas (1911-1992), his catalogue 43.2 (1981), sold to 7) Hans Peter Kraus (1907-1988), sold to 8) UK private collection.

[Bahrain]. Tourist advertising.Bahrain and London, 1970s.

Unusual set of educational booklets intended for visitors to Bahrain. Official publications seek to boost the image of Bahrain as an island tourist destination that is compact, has short travel times, and provides an authentic Arab experience. The set comprises four richly illustrated introductory guidebooks, presenting the country's main features with regard to geography, economy, education, infrastructure and cultural life.

Further, two issues of Almorshid monthly touristic magazine with useful information on Bahrain passport and visa policy, lists of hotels, banks, hospitals, and embassies, alongside a few maps of Bahrain and city plans of Manama.

Also, a report of the Arab Shipbuilding and Repair Yard Company prepared on the occasion of the inauguration of the Asry Drydock on 15 December 1977, illustrated with several impressive aerial photographs showing the dock under construction (a special supplement to OAPEC News Bulletin, vol. 3, no. 12).

Finally, a small pamphlet of main air routes from Bahrain, Kuwait, Aden, Asmara, Abadan, Tehran and Basra, prepared by A. H. Fuller in London, advertises convenient travel between Europe and the Gulf.

Slight edgewear.

Thorold Rogers, James Edwin, English economist, historian, and politician (1823-1890). Autograph letter signed.N. p., 26. IV. ca. 1880-86.

Promising the unnamed recipient that he will forward his "obliging letter" to his publishers: "Sir, i will forward your obliging letter to my publishers and they will attend to it". The letter can be dated with some certainty to Thorold Rogers' time as a member of parliament based on the stationery with the blindstamped seal of the "House of commons librairy".

Minimally stained.

Humboldt, Alexander von, German naturalist and explorer (1769-1859). Autograph letter signed ("Humboldt").N. p. o. d.

Highly interesting letter to an unidentified recipient who appears to have served as an intermediary in a sale or an auction with which Humboldt was concerned. The sale might have been in connection with the death of Humboldt's former publisher John Hurford Stone (1763-1818). As early in 1812 Stone had to file for bankruptcy due to the enormous costs of the publication of Humboldt's monumental "Relation historique", the travelogue and scientific report of his Spanish American expedition. Stone's name is mentioned in a short postscript to the letter: "Everything from before the time of the contract with Vendryès is from M. Stone".

In the letter, Humboldt talks about the potential date of the sale and some objects that are in London: "Concerning the sale, Lannoy thinks that it could take place in the end of July and that the customs information will be sufficient to know what is in London. Since my intervention is only due to my personal interests and since only Mr. Lannoy needs to recognize what is necessary for the good of the creditors, I can only hope that the sale will be effected as quickly as possible. Please send me two lines as soon as your work is entirely finished so that we can meet at M. Lannoy's and arrive at a definite decision about the time of the sale and make the necessary announcements".

John Hurford Stone moved to France in 1792 and saw success as an industrialist. He had to leave France temporarily during the Reign of Terror in 1793/94; upon his return he started a successful publishing house. Following Stone's bankruptcy, the Parisian publisher R. Vendryès, mentioned twice in the letter, briefly took over Humboldt's great project. Vendryès only published the "Atlas gégraphique et historique" as part of to the "Relation historique". The first sentence of the letter probably refers to this publication: "My request with M. Maze was futile; he does not remember the posters published by Vendries [!] but he [Vendryès] could easily inform you about them". Nicolas Maze was the most successful publisher of the "Relation historique": between 1814 and 1826 he published several volumes of Humboldt's ultimately unfinished travelogue.

With collector's note in pencil. Well preserved.

Jaillot, Alexis Hubert / Sanson, Nicolas. Atlas nouveau.Paris but Amsterdam, 1692-1696.

A magnificent example of one of the largest and most beautiful world atlases of the 17th century, obviously produced as a presentation copy: the Wardington copy, in particularly fine hand colour. In many cases, the meticulously impressed hand-coloured maps appear to have their titles in proof state or even in manuscript, indicating that this was one of the earliest copies of this work produced by Mortier, perhaps even "Mortier’s first or proof copy" (Wardington Catalogue). There are often faint lines visible which have been used to justify the letters, suggesting the type was just being set, or the cartouche lettering was being drawn up by a calligrapher.

In 1690, the Amsterdam publisher Pieter Mortier obtained from French publishers the privilege to distribute their maps and atlases in Holland. He began re-engraving maps by the French Royal Geographer Alexis Hubert Jaillot (ca. 1632-1712), the partner and successor of the "Father of French cartography", Nicolas Sanson (1600-67). Beginning in 1669, Jaillot re-engraved and re-published Sanson's maps, issuing them individually and in atlases. As the world atlas passed down from Sanson to Jaillot to Mortier, it became more striking and more renowned, partly because of its augmented size, its more creative embellishments, and its higher quality paper.

The contemporary binding here is by the Double Drawer Handle Bindery, a workshop Mortier commissioned to produce bindings for some of his most important works, including his Great Bible. Jan Storm van Leeuwen suggests that Mortier may have had the "Atlas holding up the world" block tool "made especially for this project"; he records at least two other copies of the work in marbled calf bindings with this design. Given the early state of the engravings, manuscript lettering on some cartouches, lovely hand colouring, and special binding, it is possible that this copy was a prototype or exemplar used by the publisher.

Huxley, Aldous, Schriftsteller (1894-1963). 2 (1 autogr. and 1 typed) letters signed.Florence, June 1925.

To the Italian writer and journalist Ugo Ojetti (1871-1946): "[...] Briefly, then, this is the reason of my letter. Having been much struck by the completeness, and compactness of your Atlante dell'Arte Italiana, I suggested to my publishers in London (Chatto and Windus) that they should produce an English version. They shared my view of the book's great merits and wrote to the Italian publishers asking them to quote a price for the use of the plates to produce the illustrations for an English edition [...]".

The second letter discusses further details.

Clark, Dick / Bronson, Fred / Smith, Ray. Dick Clark's American Bandstand. Extensively signed.New York, 1997.

Ray Smith's personal copy of Dick Clark's American Bandstand, autographed and inscribed by over one hundred musicians, dancers, and radio personae, including Aretha Franklin, Jon Bon Jovi, Billy Joel, Cher, Carlos Santana, Elton John, Sting, and Dick Clark himself.

American Bandstand ran on American television from 1952 to 1989, and featured teenagers dancing to Top 40 hits; it was credited with bringing rock music to a wider American audience, and provided a platform by which many young musicians and dancers got their start in the industry; those featured in it appeared at one time or another on American Bandstand, starting with the earliest performers, who were largely just local teenagers in Philadelphia.

Autographs from early performers are featured as well, such as Jerry Lee Lewis (most famous today for "Great Balls of Fire") and Little Richard (of "awop bop a lu bop, alop bam boom!" fame). Moving into the music of the sixties, autographs feature Judy Collins, Diana Ross of The Supremes, several of the Beach Boys, and TV and film star Patty Duke. From the seventies are Donna Summer (known for the 17-minute "Love to Love You Baby"), and two actors from the Brady Bunch, who appeared on the Bandstand in 1972: Florence Henderson and Barry Williams. Representing the eighties are the likes of Cyndi Lauper (of "Girls Just Wanna Have Fun") and Gloria Estefan ("Conga"). Altogether, a tour de force of American music history. Because so many artists appeared on Bandstand early in their careers, a wide range of genres, into which they later branched, are represented in the autographs and inscriptions, from punk to rap to rockabilly.

In excellent condition.

Nabokov, Vladimir. Lolita.Paris, August 1955.

First edition, first issue, with the original price ("Francs: 900") printed on lower cover of each volume.

Nabokov's still-controversial masterpiece was initially rejected by several American and British publishers before being accepted by Maurice Girodias and his Paris-based Olympia Press. Upon publication, Nabokov defended his "serious work of art" to friends and publishers: "I know Lolita is my best book so far." The British Home Office ordered all copies entering the UK to be seized, and lobbied the French government so that, surprisingly, "Lolita" was also banned in France for nearly two years. "Lolita" was not published in the U.S. and the U.K. until 1959. The book is ranked fourth on the Modern Library's list of 100 Best Novels of the 20th Century.

Light wear to spines and extremities of jackets with upper cover of vol. 2 gently creased; white section of the spine of both volumes a little yellowed; page 63/64 shows minor loss to lower corner from imperfect opening. Still a very good set.

Nabokov, Vladimir. Lolita.Paris, August 1955.

First edition, first issue, with the original price ("Francs: 900") printed on lower cover of each volume, without the later sticker.

Nabokov's still-controversial masterpiece was initially rejected by several American and British publishers before being accepted by Maurice Girodias and his Paris-based Olympia Press. Upon publication, Nabokov defended his "serious work of art" to friends and publishers: "I know Lolita is my best book so far." The British Home Office ordered all copies entering the UK to be seized, and lobbied the French government so that, surprisingly, "Lolita" was also banned in France for nearly two years. "Lolita" was not published in the U.S. and the U.K. until 1959. The book is ranked fourth on the Modern Library's list of 100 Best Novels of the 20th Century.

Light wear to extremities of jackets, white section of the spine of both volumes a little yellowed, still a very good set. Some sunning and a few small brownstains to spine of half-morocco cover.

Mugnier, Arthur, French priest and diarist (1853-1944). Autograph visiting card.7, rue Méchain Paris, 12 Jun 1932.

Thanking the publishers Maurice Delamain and Jacques Boutelleau, better known as Jacques Chardonne, of Librairie Stock for sending him several books: "[L'Abbé A. Mugnier - Chanoine honoraire de Paris] remercie particulièrement M.M. Delamain et Boutelleau des livres si intéressantes qu'ils ont bien voulu lui adresser et les prie de croire à son humble et meilleure sympathie".

On engraved visiting card. Somewhat stained.

Murphy, James Cavanah, Irish architect and antiquary (1760-1814). Autograph letter signed.No place, "Tuesday morning".

To publishers Cadell & Davies about his drawings of Batalha Monastery in Portugal, produced in 1795: "I beg you will give the bearer the Portfolio with the drawing of Batalha and the copy of the agreement if drawn up. If agreeable to you I could wish that matter was set[t]led without further delay [...].

A few biographical notes in a former collector's hand in pencil. A strip of old mounting tape on verso.